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Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. He is also known as 'Sabesan' in Tamil which means 'The Lord who dances on a dais'. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram.
The most revered Hindu site in Nepal is the extensive Pashupatinath Temple complex, five kilometres east of central Kathmandu. The focus of devotion here is a large silver Shivalingam with four faces of Shiva carved on its sides, making it a 'Chaturmukhi-Linga', or four-faced Shivalingam. Pashupati is one of Shiva’s 1,008 names, his manifestation as 'Lord of all Beasts' (pashu means 'beasts', pati means 'lord'); he is considered the guardian deity of Nepal.<br/><br/> The main temple building around the Shivalingam was built under King Birpalendra Malla in 1696, however the temple is said to have already existed before 533 CE. In 733 CE, King Jayadeva II erected in its precincts a stone tablet which chronicled all the kings of Nepal, beginning with the sun god. During the Muslim raids of 1349 the temple was largely destroyed, but in 1381 Jayasinharama Varddhana of Banepa restored it. Further renovations were conducted towards the end of the Malla period, and the latest extensive improvements were made in 1967.<br/><br/> Since the temple's inception, all the rulers of Nepal have taken great pains to pay their respects to it, to make donations, and to finance extensions.
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation. <br/><br/> A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. He is also known as 'Sabesan' in Tamil which means 'The Lord who dances on a dais'. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram. <br/><br/> The sculpture is usually made in bronze, with Shiva dancing in an aureole of flames, lifting his left leg (and in rare cases, the right leg) and balancing over a demon or dwarf (Apasmara) who symbolizes ignorance. It is a well known sculptural symbol in India and popularly used as a symbol of Indian culture. <br/><br/> The two most common forms of Shiva's dance are the Lasya (the gentle form of dance), associated with the creation of the world, and the Tandava (the violent and dangerous dance), associated with the destruction of weary worldviews - weary perspectives and lifestyles. In essence, the Lasya and the Tandava are just two aspects of Shiva's nature; for he destroys in order to create, tearing down to build again.
The kingdom of Champa (Campadesa or nagara Campa) Chăm Pa in Vietnamese, 占城 Chiêm Thành in Hán Việt and Zhàn chéng in Chinese records) was an Indianized kingdom that controlled much of southern and central Vietnam from approximately the 7th century through to 1832.<br/><br/> Champa reached its apogee in the 9th and 10th centuries. Then began a gradual decline under pressure from Đại Việt, the Vietnamese polity centered in the region of modern Hanoi. In 1471, Viet troops sacked the northern Cham capital of Vijaya, and in 1697 the southern principality of Panduranga became a vassal of the Vietnamese emperor.<br/><br/> In 1832, the Vietnamese emperor Minh Mạng annexed the remaining Cham territories. Mỹ Sơn, a former religious center, and Hội An, one of Champa's main port cities, are now UNESCO World Heritage sites.
The kingdom of Champa (Campadesa or nagara Campa) Chăm Pa in Vietnamese, 占城 Chiêm Thành in Hán Việt and Zhàn chéng in Chinese records) was an Indianized kingdom that controlled much of southern and central Vietnam from approximately the 7th century through to 1832.<br/><br/> Champa reached its apogee in the 9th and 10th centuries. Then began a gradual decline under pressure from Đại Việt, the Vietnamese polity centered in the region of modern Hanoi. In 1471, Viet troops sacked the northern Cham capital of Vijaya, and in 1697 the southern principality of Panduranga became a vassal of the Vietnamese emperor.<br/><br/> In 1832, the Vietnamese emperor Minh Mạng annexed the remaining Cham territories. Mỹ Sơn, a former religious center, and Hội An, one of Champa's main port cities, are now UNESCO World Heritage sites.
The kingdom of Champa (Campadesa or nagara Campa) Chăm Pa in Vietnamese, 占城 Chiêm Thành in Hán Việt and Zhàn chéng in Chinese records) was an Indianized kingdom that controlled much of southern and central Vietnam from approximately the 7th century through to 1832.<br/><br/> Champa reached its apogee in the 9th and 10th centuries. Then began a gradual decline under pressure from Đại Việt, the Vietnamese polity centered in the region of modern Hanoi. In 1471, Viet troops sacked the northern Cham capital of Vijaya, and in 1697 the southern principality of Panduranga became a vassal of the Vietnamese emperor.<br/><br/> In 1832, the Vietnamese emperor Minh Mạng annexed the remaining Cham territories. Mỹ Sơn, a former religious center, and Hội An, one of Champa's main port cities, are now UNESCO World Heritage sites.
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> Ravana Phadi cave temple is one of the oldest rock cut temples in Aihole and dates back to the 6th century CE. It is dedicated to the Hindu god Shiva. The cave contains a Shivalinga in the inner room or sanctum sanctorum. The sanctum has a vestibule with a triple entrance and has carved pillars. The walls and sides of the temple are covered with large figures including a figure of Nataraja (Shiva) dancing, surrounded by the Saptamatrikas (Seven Mothers).
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> Ravana Phadi cave temple is one of the oldest rock cut temples in Aihole and dates back to the 6th century CE. It is dedicated to the Hindu god Shiva. The cave contains a Shivalinga in the inner room or sanctum sanctorum. The sanctum has a vestibule with a triple entrance and has carved pillars. The walls and sides of the temple are covered with large figures including a figure of Nataraja (Shiva) dancing, surrounded by the Saptamatrikas (Seven Mothers).
Beng Mealea was built as a Hindu temple, but there are some carvings depicting Buddhist motifs. Its primary material is sandstone and it is largely unrestored, with trees and thick brush thriving amidst its towers and courtyards and many of its stones lying in great heaps. For years it was difficult to reach, but a road recently built to the temple complex of Koh Ker passes Beng Mealea and more visitors are coming to the site, as it is 77 km from Siem Reap by road.<br/><br/> The history of the temple is unknown and it can be dated only by its architectural style, identical to Angkor Wat, so scholars assumed it was built during the reign of king Suryavarman II in the early 12th century. Smaller in size than Angkor Wat, the king's main monument, Beng Mealea nonetheless ranks among the Khmer empire's larger temples: the gallery which forms the outer enclosure of the temple is 181 m by 152 m. It was the center of a town, surrounded by a moat 1025 m by 875 m large and 45 m wide.
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
Banteay Srei (or Banteay Srey) is a 10th century Cambodian temple dedicated to the Hindu god Shiva and is located to the north-east of the main group of temples at Angkor. Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. Banteay Srei is sometimes referred to as the 'jewel of Khmer art.'
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. He is also known as 'Sabesan' in Tamil which means 'The Lord who dances on a dais'. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram.<br/><br/> The sculpture is usually made in bronze, with Shiva dancing in an aureole of flames, lifting his left leg (and in rare cases, the right leg) and balancing over a demon or dwarf (Apasmara) who symbolizes ignorance. It is a well known sculptural symbol in India and popularly used as a symbol of Indian culture.<br/><br/> The two most common forms of Shiva's dance are the Lasya (the gentle form of dance), associated with the creation of the world, and the Tandava (the violent and dangerous dance), associated with the destruction of weary worldviews - weary perspectives and lifestyles. In essence, the Lasya and the Tandava are just two aspects of Shiva's nature; for he destroys in order to create, tearing down to build again.
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. He is also known as 'Sabesan' in Tamil which means 'The Lord who dances on a dais'. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram.<br/><br/> The sculpture is usually made in bronze, with Shiva dancing in an aureole of flames, lifting his left leg (and in rare cases, the right leg) and balancing over a demon or dwarf (Apasmara) who symbolizes ignorance. It is a well known sculptural symbol in India and popularly used as a symbol of Indian culture.<br/><br/> The two most common forms of Shiva's dance are the Lasya (the gentle form of dance), associated with the creation of the world, and the Tandava (the violent and dangerous dance), associated with the destruction of weary worldviews - weary perspectives and lifestyles. In essence, the Lasya and the Tandava are just two aspects of Shiva's nature; for he destroys in order to create, tearing down to build again.
Nataraja or Nataraj ('The Lord - or King - of Dance'; Tamil: Kooththan) is a depiction of the Hindu god Shiva as the cosmic dancer Koothan who performs his divine dance to destroy a weary universe and make preparations for god Brahma to start the process of creation.<br/><br/> A Tamil concept, Shiva was first depicted as Nataraja in the famous Chola bronzes and sculptures of Chidambaram. The dance of Shiva in Tillai, the traditional name for Chidambaram, forms the motif for all the depictions of Shiva as Nataraja. He is also known as 'Sabesan' in Tamil which means 'The Lord who dances on a dais'. The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram.<br/><br/> The sculpture is usually made in bronze, with Shiva dancing in an aureole of flames, lifting his left leg (and in rare cases, the right leg) and balancing over a demon or dwarf (Apasmara) who symbolizes ignorance. It is a well known sculptural symbol in India and popularly used as a symbol of Indian culture.<br/><br/> The two most common forms of Shiva's dance are the Lasya (the gentle form of dance), associated with the creation of the world, and the Tandava (the violent and dangerous dance), associated with the destruction of weary worldviews - weary perspectives and lifestyles. In essence, the Lasya and the Tandava are just two aspects of Shiva's nature; for he destroys in order to create, tearing down to build again.